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Art Criticism and Writing

Spring 2023

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  • Exhibition Reviews 1
    • Yasmin Al-Omair-Nuncio
    • Ariel/Jojo Banga
    • Hannah Comstock
    • Marienne Duran Henriquez
    • Celeste Gaudin-Rodriguez
    • Sammi Hudd
    • Madeline Kendama
  • Exhibition Reviews 2
    • Christian Mahoney
    • Ymari McCarty
    • Jasmine Nicole Plasencio
    • Sandra Anabel Rendon
    • Angela Self
    • Alicia Stevens
    • Kaylin Yanta
  • Artist Interviews 1
    • Yasmin Al-Omair-Nuncio and Victor Hugo De Luna
    • Ariel Banga and Michelle Delgado
    • Hannah Comstock and Celina Hernandez
    • Marienne Duran Henriquez and Alicia Stevens
    • Celeste Gaudin and Jose Antonio Vega
    • Sammi Hudd and Abbie Spillane
    • Madeline Kendama and Xavier Norris
  • Artist Interviews 2
    • Christian Mahoney and Emily Rose Lesch
    • Ymari McCarty and Taryn Alyse Grannis
    • Jasmine Plasencio and Monika Judith Garcia
    • Sandra Rendon and Marissa Arellano
    • Angela Self and Rahmon Alimi
    • Alicia Stevens and Valerie N Alegria
    • Kaylin Yanta and Emily Marie Treviño
  • Resources
    • Online Platforms
  • Schedule and Readings

Online Platforms

4Columns
Art in America | Artist’s Texts | Art Net | Art Review | art21 | artcritical
Artillery Magazine | Artlyst | ARTS.BLACK | Asia Pacific Arts
Bad at Sports | Bidoun | Blouin Artinfo | The Chart | Chicago Artist Writers Contemporary Art Daily | Conflict of Interest | contemptorary | CultureGrrl
Daily Serving | Dazed | DIS Magazine
e-flux | Eutopia
Field | A Journal of Socially-Engaged Art Criticism | Frieze
Glasstire | the making of, by Greg Allen
Hyperallergic
Ibraaz | International Association of Art Critics | In the Make
Journal of Art Criticism Modern Art Notes
Momus | Mute
Ohio Edit Painters’ Table
Pastelegram | Post-Office Arts Journal
Rhizome
Sightlines
Temporary Art Review | Two Coats of Paint | The Brooklyn Rail
thisistomorrow | triplecanopy
UN
​Projects

Voices in Contemporary Art
We Make Money Not Art

Archives

  • May 2023
  • April 2023

Categories

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